martes, 2 de octubre de 2018

Anthology of Fantastic Zoology




                      
Anthology of Fantastic Zoology es una sinfonía orquestal del compositor estadounidense Mason Bates. El trabajo fue encargado por la Orquesta Sinfónica de Chicago, para quien Bates era entonces compositor en residencia.

Anthology of Fantastic Zoology commissioned by the Chicago Symphony Orchestra under Riccardo Muti

Premieres: October’s new music

Lucy Thraves  Assistant Editor

It was the magic realism of Argentinian writer Jorge Luis Borges’s work of the same name that inspired Mason Bates’ Anthology of Fantastic Zoology. ‘I sought a musical form that would encourage the creation of highly distinct music with a surreal element,’ he explains. ‘The challenge of bringing [Borges’] mythological and surreal creatures to life proved irresistible.’




What kinds of ‘creatures’ does this include, and how are they reflected in the music? ‘The sprite is a good example of a narrative provoking new sounds. In conjuring the mischievous movements of a capricious fairy, I shattered the string section into a large group of soloists – with the sprite jumping from music stand to music stand. This creates onstage spatial effects as riffs shoot from the concertmaster to the back of violins.’ He adds: ‘Many composers throw instruments offstage or around the concert hall, but this is one of the first orchestral works engaging with onstage “choreography” – an idea provoked by the astonishing vividness of Borges’ compendium.’

Musically, Bates drew inspiration from ‘glistening’ Russian ballet scores, and specifically the Russian concept of ‘jarkos’ (‘etched’) – music that is ‘so distinctive and memorable that it seems ‘etched’ in your mind.’ He cites Mussorgsky and Stravinsky as examples. ‘Creating recognisable music has not always been a focus in recent music history, especially in the process-based worlds of serialism or minimalism. I like the challenge of creating memorable material because it opens up so many musical possibilities.’

The UK premiere of the work has been programmed alongside Beethoven’s Overture to The Creatures of Prometheus, a piece Bates describes as ‘light-hearted’ compared to the ‘dark fantasy’ of the sort that might be found ‘in Tolkien’s Mirkwood or Guillermo del Toro’s Pan’s Labyrinth.’

Bates’ work has been described as ‘reinvigorating’ the classical tradition (he is also a DJ, and a champion of cinematic programme notes and immersive stagecraft). Where does he see the future of classical music? ‘The orchestra can tell big stories in deep ways, as it did in the 19th century with the programmatic approach of Berlioz, Liszt and Wagner. I’ve enjoyed reviving that tradition with entirely new sounds, some of them from the energy of techno and digital studios.’
5 OCTOBER
Mason Bates, Anthology of Fantastic Zoology, UK prem (BBC Symphony Orchestra, Cristian Macelaru, conductor, Barbican Centre, 7.30pm)

Fuente: Rhinegold
 Photo credit: Ryan Schude Mason Bates



Fuente video: You Tube




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